Aetheric Mechanics by Warren Ellis

That story is extremely lame. Roger out.

 


Road to Perdition by Max Allan Collins and Richard Piers Rayner

The original graphic novel behind a well-acclaimed Sam Mendez film was quite entertaining. To tell you the truth, when I took it off the shelf in a Nicosia comic book store (most likely though, English grammar requires me to say the Nicosia comic book store), I first thought it was a simulacrum, a cheap commercial spinoff from a Hollywood franchise (like a recent Game of Thrones comic series is) and not an original story. Well, I was wrong.

To sum it up briefly – either for those who didn’t see the movie, or, like yours truly, remember nothing of it – it’s a good true crime novel about gangster shootout in the 1930s Midwest. A classic story of a father travelling with a child – and guns. Reads fast, easy and is very likeable. Reminded me a bit about John Wagner’s and Vince Locke’s A History of Violence, also written in the late 90s.

The most unbelievable thing for me was a Mickey Spillane quote of praise on the front cover – I guess I was under the false impression that Spillane was more a sixties-seventies kinda guy. But naw, I now know the father of Mike Hammer went away in 2006, at the age of 88. You live and learn.

P.S. God gracious! I realized Darwyn Cooke published the 4th Parker book, called Slayground, and I missed it. Downloading already!

 


The Last of the Innocent. A Criminal edition by Ed Brubacker and Sean Phillips

To think about it, comic books are a perfect medium for noir crime stories, all those Dashiell Hammetts, James Hadley Chases and what not. All the messy bloody stuff that I loved to read in my early teens (alongside no less trashy horror stories, thank you, Mr. Hitchcock) are now in full profondo rosso colors spashed against the pages of a comic book.

And whilst Ed Brubacker‘s and Sean PhillipsCriminal series is of no match to, say, the Parker trilogy (and I hope for more of that as well), still, I found this story quite an entertaining read.

So I need to get some more, I guess. Both Criminal and Fatale (also written by the same duo), perfect pulp fiction, mmmm.

P.S. Sad but true – I need to stop buying comic books through comiXology. Yeah, it’s easier, and cheaper, and faster, and it lasts forever (kinda), but – there’s always but – you don’t get the same feeling when you hold a volume in your hands. Back to crazy Russian customs and amazon deliveries, and help me god.

 


Fatale. Book one: Death Chases Me by Ed Brubaker and Sean Phillips

Finally, a gripping horror story on the back of very good drawings. Collects volumes 1 to 5 of Fatale. I keep on reading.

 


Any Empire by Nate Powell

Another great example of a graphic novel where the style and art beats the story 10 to 1. I would even say, these childhood stories are supposed to be like Essex County, but it's a no go to compare a great book with a one that lack such greatness.

Oh well.

 

 


The Real Thing by Tom Stoppard

My weekend flying routine now has two fundamental pillars – a movie when I take off and during the flight, and an audio play when I land and later in the cab. Today, it was Jacques Audiard's De Rouille et D'os and Tom Stoppard's The Real Thing.
 
After I got into Rosencrantz and Guildenstern are Dead in late 1990s, I have read several Stoppard's plays in English and in Russian, but to my shame, I remember none. So this one, on love, adultery and doubt, I may have read already. Oh well. Not a clue.

Stoppard is quite a good playwrite – however, as compared to my fave contemporary drama author David Mamet, his stuff is much more minimalist-repetitive and it goes at a slower pace. Mamet's 1h40m play feels 2x as short as Stoppard's. Still, it quite a thing. A real thing, huh.

I mean, if Beethoven had been killed in a plane crash at twenty-two, the history of music would have been very different. As would the history of aviation, of course.


The Everything Store: Jeff Bezos and the Age of Amazon by Brad Stone

A very well researched and no less well written book about Jeff Bezos, the founder and perennial CEO of amazon.com, that hit the virtual shelves of Amazon just recently, so it's very new and very fresh, an unsortmountable advantage for a business biography – so I hurried to devour it fast in both kindle and audible formats.
 
I never really followed the Amazon stock or story – no, I rather laughed at the sheer craziness of the people who invest in it (today it trades around 600x trailing 12m P/E) – but this book showed me that Bezos was and remains a true visionary behind his business. And I do love that business! Even here in Russia, a country where Amazon is not officially present, I am an avid fan of its products and services.
 
I needed not to go far to understand this – the opportunity, though sad, presented itself – I lost my kindle on a flight last week, amid reading this book, and it sure made me realize how fond I am of it – and iPad kindle app is a poor substitute – though audible.com, an Amazon company, which I re-discovered for myself a month or so ago, helped with a recording that is awesome.
 
In order not to bore my dear readers, I decided to put a short quote at the end of this review – an idea that I like a lot, and that I think is missing from our corporate world today – which is built on the premise that the opposite is holy.
 
Also, at the end of the book, there was the so called Jeff's Reading List, which is a list of a dozen of book recommendations from Bezos himself. Here's a great overview of it on Business Insider, have a look.
 
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At a management offsite in the late 1990s, a team of well-intentioned junior executives stood up before the company’s top brass and gave a presentation on a problem indigenous to all large organizations: the difficulty of coordinating far-flung divisions. The junior executives recommended a variety of different techniques to foster cross-group dialogue and afterward seemed proud of their own ingenuity. Then Jeff Bezos, his face red and the blood vessel in his forehead pulsing, spoke up.

“I understand what you’re saying, but you are completely wrong,” he said. “Communication is a sign of dysfunction. It means people aren’t working together in a close, organic way. We should be trying to figure out a way for teams to communicate less with each other, not more.”

That confrontation was widely remembered. “Jeff has these aha moments,” says David Risher. “All the blood in his entire body goes to his face. He’s incredibly passionate. If we was a table pounder, he would be pounding the table.”

At the meeting and in public speeches afterward, Bezos vowed to run Amazon with an emphasis on decentralization and independent decision-making. “A hierarchy isn’t responsive enough to change,” he said. “I’m still trying to get people to do occasionally what I ask. And if i was successful, maybe we wouldn’t have the right kind of company.”

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P.S. … and now I am thinking whether to write a short complaint to jeff@amazon.com as the whispernet wireless synch between the book and the audio didn't always work 😉

 

The 47 Ronin by Sean Michael Wilson and Akiko Shimojima

The book is so-and-so, chewing gum. I guess I wouldn't mind watching the movie – though, I guess, it would be chewing gum as well.
 
 

The Invisible Enemy by Jonathan Littell

As Jonathan Littell's groupie, I read whatever's available – this kindle single ebook is a short 16-page report from LRA's atrocities in Congo. I never knew Uganda's terrorists moved to other countries. A-holes indeed. Africa makes me scared.
 

The Proof by David Auburn

Hell, I never knew that this play was so famous, Pulitzer and Tony prize winner and stuff – I just downloaded a random one that seemed ok based on audible.com reviews. Didn't know there's a movie of the same name by John Madden with Gwyneth Paltrow, Jake Gyllenhaal and Anthony Hopkins in it! And the play had Anne Heche and Jeremy Sisto.
 
The first part was rather slow, not too disappointing, but slow – but once the second half kicked in, it was then when I became all ears (audio play, no visuals, huh). And luckily, no math or math jargon involved – even the Enron play had much more special lingo.
 
The way I look at theater recordings now, they're my best pals on the solitary taxi ride from the airport – they're dramatized, and dramatized equals gripping. When the pilot says “Ladies and gentlemen, the plane now starts to descend, and we will be landing in Moscow [VKO/SVO/DME] airport shortly”, that's the moment to switch on a new play, listen to it furtively while the plane lands (I hate airlines' superstitious rules against electronic devices – at least they don't force us to pray, just yet), while I clear border control and customs, and then through the entire taxi ride home – and most likely, it's kinda over around the time I reach my doorstep or a few moments after. Nice, better than listening to some crappy radio.